Jumat, 13 Februari 2015

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

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The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps



The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

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Love him or hate him, there's no doubting Justin(e) Bieber is one funny dude. Um, well not really, but he's done some pretty funny stuff. Well no, not exactly either, but we all just love to laugh at him. So I thought it would be pretty cool if I created this Justin Bieber meme book to give us all a few laughs at her expense. Enjoy.

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

  • Amazon Sales Rank: #862440 in eBooks
  • Published on: 2015-05-08
  • Released on: 2015-05-08
  • Format: Kindle eBook
The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps


The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

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0 of 0 people found the following review helpful. It's was funny but a little inappropriate By Ellisea Williams report I HATED it. HejssvdsnnkKdvgxhzmzkanh ssh dbdbnsmsksjdhzjzjhizhhzshzehzebebxejjxjxbjdbjejj exbjejxebehxebexebhxejdxbjxdbjx. Ensnared j Dr bedridden with the mishmash a few days earlier and then I can get the mishmash of my profile er eee e e e e mail me to justify next n

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The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps
The Hilarious Book Of Justin Bieber Memes And Jokes, by Conard Phelps

Rabu, 11 Februari 2015

The Philanderer (Broadview Editions), by Bernard Shaw

The Philanderer (Broadview Editions), by Bernard Shaw

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The Philanderer (Broadview Editions), by Bernard Shaw

The Philanderer (Broadview Editions), by Bernard Shaw



The Philanderer (Broadview Editions), by Bernard Shaw

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The second of Shaw’s “unpleasant” plays, written in 1893, published in 1898, but not performed until 1905, The Philanderer is subtitled “A Topical Comedy.” The eclectic range of topical subjects addressed in the play includes the influence of Norwegian playwright Henrik Ibsen on British middle-class social mores (the second act of The Philanderer is set in the fictional Ibsen Club), medical follies, the rise of the “New Woman,” and, in particular, the destructive impact of Victorian marriage and divorce laws. Just as Shaw’s other “unpleasant” plays, Widowers’ Houses and Mrs Warren’s Profession, call, respectively, for reform of laws that allow corrupt property owners to exploit the poor and for radical change to economic structures that drive women into prostitution, so The Philanderer makes the case for more liberal legislation to allow easier divorce―particularly for women―when marriages become irretrievably broken.

Shaw’s attack on divorce laws becomes even clearer and stronger in the final act that he wrote for the play but discarded in favour of the version he published. The discarded version is published for the first time in this Broadview edition of the play.

The Philanderer (Broadview Editions), by Bernard Shaw

  • Amazon Sales Rank: #4192382 in Books
  • Published on: 2015-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .40" w x 5.50" l, .52 pounds
  • Binding: Paperback
  • 208 pages
The Philanderer (Broadview Editions), by Bernard Shaw

Review

“This is the indispensable version of one of Shaw’s most misunderstood plays. L.W. Conolly’s edition of The Philanderer finally makes Shaw’s original final act widely available for scholars and performers. Conolly provides the perfect biographical, historical, and philosophical source documents to decide whether or not Shaw was right to suppress his first ending―an important dramatic treatise on divorce laws and gender equality that is the foundation of later plays. Conolly is a sure-footed, amiable guide, illuminating the play’s production and reception history while providing the reader with all the tools she needs to understand why this ‘restored’ text is not simply a neglected curiosity, but instead a major event in the history of modern drama.” ― Lawrence Switzky, University of Toronto

“L.W. Conolly’s excellent scholarship expertly guides both students and scholars through the tangled and fascinating history of Shaw’s controversial first draft of The Philanderer. Expressly prohibited by Shaw’s own will, the original third act was supposed to have been burned on the advice of a friend. Thankfully Shaw didn’t follow that advice, and Conolly offers a richly detailed, terrifically readable, and insightfully persuasive justification for going against Shaw’s will.” ― Michael M. O’Hara, Ball State University

Not until L.W. Conolly’s excellent edition of The Philanderer were we able to read Shaw’s original last act in printed pages. It has been worth waiting for…Conolly’s first-rate introduction includes an account of Shaw’s efforts to secure a production of The Philanderer and its production history. More importantly, it treats Shaw’s changes to the final act…Conolly’s explanatory footnotes are invaluable for teachers, directors, and actors as well as students.― Bernard F. Dukore, English Literature in Transition 1880―1920

From the Back Cover

The second of Shaw’s “unpleasant” plays, written in 1893, published in 1898, but not performed until 1905, The Philanderer is subtitled “A Topical Comedy.” The eclectic range of topical subjects addressed in the play includes the influence of Norwegian playwright Henrik Ibsen on British middle-class social mores (the second act of The Philanderer is set in the fictional Ibsen Club), medical follies, the rise of the “New Woman,” and, in particular, the destructive impact of Victorian marriage and divorce laws. Just as Shaw’s other “unpleasant” plays, Widowers’ Houses and Mrs Warren’s Profession, call, respectively, for reform of laws that allow corrupt property owners to exploit the poor and for radical change to economic structures that drive women into prostitution, so The Philanderer makes the case for more liberal legislation to allow easier divorce―particularly for women―when marriages become irretrievably broken.

Shaw’s attack on divorce laws becomes even clearer and stronger in the final act that he wrote for the play but discarded in favour of the version he published. The discarded version is published for the first time in this Broadview edition of the play.

About the Author

L.W. Conolly is Emeritus Professor of English at Trent University; an Honorary Fellow, Robinson College, Cambridge University; a Senior Fellow, Massey College, University of Toronto; and a Fellow of the Royal Society of Canada. He is the editor of the Broadview Edition of Bernard Shaw’s Mrs Warren’s Profession (2005) and the author of many other books on Shaw.


The Philanderer (Broadview Editions), by Bernard Shaw

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0 of 0 people found the following review helpful. A minor and dated Shaw piece By Bill Baker Another of Shaw's minor pieces - dated by now - how many in a modern audience would even know what a 'philanderer' is? - and probably rarely seen. Have you ever heard of it? I hadn't - but it's still worth a read since it is by one of the greatest playwrights of the20 th century.

0 of 0 people found the following review helpful. What a laugh! By Francine Lefkowitz Funny as all get out. Love Shaw's attitude towards men, as well as towards women. Women are strong, wise characters; ;men are self-deluded and pathetic. I'd have loved to have met GBS.

0 of 0 people found the following review helpful. G B Shaw By JFP Boy, can Shaw pack a lot of words into a small space -- or is it the fine print?A fun play, but not his best (Pygmalion).

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The Philanderer (Broadview Editions), by Bernard Shaw

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The Philanderer (Broadview Editions), by Bernard Shaw
The Philanderer (Broadview Editions), by Bernard Shaw

Sabtu, 07 Februari 2015

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

Do you ever before understand guide Trash Cinema: A Celebration Of Overlooked Masterpieces (hardback)From BearManor Media Yeah, this is a very intriguing publication to check out. As we informed previously, reading is not type of commitment task to do when we need to obligate. Checking out should be a habit, a great behavior. By reading Trash Cinema: A Celebration Of Overlooked Masterpieces (hardback)From BearManor Media, you can open the new globe as well as get the power from the globe. Every little thing can be gotten through guide Trash Cinema: A Celebration Of Overlooked Masterpieces (hardback)From BearManor Media Well briefly, book is really effective. As what we provide you right here, this Trash Cinema: A Celebration Of Overlooked Masterpieces (hardback)From BearManor Media is as one of reviewing book for you.

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media



Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

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This is the hardback version. It is frequently said that one man's trash is another man's treasure, and nowhere is this statement more accurate than in the case of obscure bizarro exploitation films. Containing 55 essays on such trash classics as Ilsa: She Wolf of the SS (1975), I Spit on Your Grave (1978), and Faster, Pussycat! Kill! Kill! (1965), Trash CInema: A Celebration of Overlooked Masterpieces celebrates the good, the bad, and the ugly of these so-called "trash" films. Some of the pieces are reverential, some poke fun at the absurdity of the films, and others offer a more critical eye to these proceedings. With essays from more than 40 noted film writers, this collection is a one-of-a-kind treasure for those amongst us with a passion for the seedier side of cinema.

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

  • Amazon Sales Rank: #2914245 in Books
  • Published on: 2015-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .56" w x 5.98" l, 1.09 pounds
  • Binding: Hardcover
  • 242 pages
Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media


Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

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4 of 4 people found the following review helpful. Great resource for the cult movie fan By Bacterialover Back when I was in high school I found a copy of a VideoHound guide called Cult Flicks and Trash Picks. Armed with this reference source and memberships to some video stores (the small-town independent ones were always the best) I discovered the wonderful world of cult movies, the B- to Z-grade fare of trash that spans the entire age of film. I was, am, a huge fan of Mystery Science Theater 3000 and still miss it. Some nights nothing hits the spot and helps fight insomnia or an overactive brain like a good piece of cinematic pulp.-Even still, there are a large number of films covered in this collection of essays, Trash Cinema: A Celebration of Overlooked Masterpieces, that I wasn't too familiar with. Including thoughts on over fifty movies (arranged by title alphabetically) the collection edited by Rausch and Riley is useful just as another reference list of cult movie titles that a fan may want to look up.-Trash cinema (or B movies, cult classics, low budget dreck, or whatever-you-want-to-call-it) is still a highly variable beast. The spectrum runs from movies that are considered works of significant art to works that are barely watchable. In between are a lot of movies that are simply average and dull, having no particular infamy to even allow them to be 'good' trash. The essays in the collection tend to run a similar spectrum. As is fitting the genre, the essays are not remotely academic. Most are written in a colloquial language like the author is just talking to a friend at the video store. But they still vary in quality or usefulness in reading. A few I thought did little more than provide a film synopsis. The ones I enjoyed most got far deeper into some kind of analysis, and most entries at least did some.-The movies discussed also run a spectrum across genres within this category of trash, from older movies to newer, SF to noir to horror, ones that are relatively tame to ones that have more adult violence or other depravity. Some trash movies of course try to push the envelope of depravity - or at least shock.-One of the interesting points that came up throughout the essays dealing with this type of cult picture is that they often elicit very different responses between viewers, and even within a single viewer. Some days I can watch Cannibal Holocaust without a care. Other times I get hung up with troubling aspects. When is the shock used as artistic commentary on the society of the day? When is is just crass exploitation? When is it something that should revolt and offend beyond reason? Sometimes an extreme film is a bit of all of these things simultaneously.-Movies that fall in the extremes of the trash camp won't be for everyone. For instance, I personally can handle a great deal, but my limits are reached with much of the 'torture porn' variety. Yet Bloodsucking Freaks proves an exemption for me, the overall subversion and gender themes of the movie make it more interesting and watchable for me. But obviously not for all. But again, a large number of the films in this - the kind for instance that also have been on MST3K (like Manos, the Hands of Fate) aren't particularly shocking to an audience of this day and age. Apart from perhaps their quality :)-The advent of DVDs killed off the wide range of trash availability I could find with VHS. Recently I've found some Roku streaming options for these kinds of movies (Netflix is poorly lacking for the most part). So this collection was welcome and gave me good ideas for titles to put on my "to watch" lists, and also forewarned me of a few that I can tell won't be for me. Overall a good resource for a trash digging fan.-Disclaimer: I received a free electronic copy of this from the publisher via NetGalley in exchange for an honest review that originally appeared at Reading1000Lives.com

3 of 4 people found the following review helpful. Trash Cinema By NoWireHangers I really don't watch enough movies anymore. A decade ago, I'd watch on average perhaps 20 films a week, and those who know me would know I'd pick Jess Franco, John Waters or Ed Wood over Bergman or Truffaut any day of the week, and I would scour eBay for VHS versions of obscure movies starring Dyanne Thorne (this was back in the day before everything was available on DVD or online; I'm getting old)."Trash Cinema" contains essays about 55 films most people probably have never heard of. Those new to exploitation films will be introduced to Al Adamson, Matt Cimber, "Ilsa" (Dyanne Thorne), Russ Meyer, "Frankenhooker", even the world's smallest action hero, Weng Weng, the Indonesian "Lady Terminator" and, of course, Ed Wood. The essays are written by many different authors. Some are short, some are longer. Many of the authors recall the first time they heard of or saw the movie they're writing about. Some of the films are analyzed (or as in the case of "Blood-Sucking Freaks", over-analyzed). In his essay of "Cut Throats Nine", C. Courtney Joyner gives us a very informative history of horror/westerns. Some of the essays contain spoilers (most notably "The Baby", I just skim-read most of that one because I may want to see the movie and the plot descriptions were way too detialed) but most of them just make you want to see the film in question.Whether you're new to trashy movies or have watched hundreds of them, this book should be a fun read. It gave me some new movies to check out and it even almost make me want to watch "Manos: The Hands of Fate" again. I never thought I'd say that.I was provided with a free ebook by BearManor Media via NetGalley in exchange for an honest review.

1 of 1 people found the following review helpful. Five Stars By yup Great read!

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Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media
Trash Cinema: A Celebration of Overlooked Masterpieces (hardback)From BearManor Media

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World,

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

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The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger



The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

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From “one of our country’s most admired science writers” (Dr. Sanjay Gupta) comes a “well-researched and entertaining” (Slate) exploration of narcissism, including how to recognize it and how to handle it. The odds are good that you know a narcissist—probably a lot of them. The odds are also good that they are intelligent, confident, and articulate—the center of attention. They make you laugh and they make you think. The odds are also that this spell didn’t last.Narcissists are everywhere. There are millions of them in the United States alone: entertainers, politicians, businesspeople, your neighbors. Recognizing and understanding them is crucial to your not being overtaken by them, says Jeffrey Kluger in his provocative book about this insidious disorder.With insight and wit, Kluger explains the surprising new research into narcissism and the insights that research is yielding. He reveals how narcissism and narcissists affect our lives at work and at home, on the road, and in the halls of government; what to do when we encounter narcissists ; and how to neutralize narcissism’s effects before it’s too late.As a writer and editor at Time, Kluger knows how to take science’s new ideas and transform them into smart, accessible insights. Highly readable and deeply engaging, this book helps us understand narcissism and narcissists more fully.

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

  • Amazon Sales Rank: #388561 in Books
  • Brand: Kluger, Jeffrey
  • Published on: 2015-09-08
  • Released on: 2015-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .74" w x 5.48" l, 1.00 pounds
  • Binding: Paperback
  • 288 pages
The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

Review “Narcissists can be captivating people, and The Narcissist Next Door is a captivating book: meticulously researched, written with verve, and spiced with irresistible examples from the headlines and everyday life.” —Steven Pinker, Johnstone Professor of Psychology, Harvard University, and the author of How the Mind Works and The Sense of Style“We are surrounded by narcissists and from afar, they are often easy to like. They are famous entertainers, successful business people and politicians. The charm wears off quickly, though, if they get too close—your neighbors, friends or your own family. The brilliant Jeffrey Kluger, one of our country’s most admired science writers, has written a book that taught me a great deal, made me laugh out loud on a quiet airplane ride, and forced me to be introspective about myself and the people I love. Kluger gives a lot of himself in this book, deftly weaving cutting-edge science with poignant personal stories that are astonishingly candid, and at times very familiar. At the risk of sounding…well, narcissistic, I of course wondered if I fit any of the criteria. Chances are you are wondering the same thing. So open the book and find out.” —Dr. Sanjay Gupta “[This] well-researched and entertaining study of the syndrome du jour pulls in figures as varied as Lance Armstrong, Kim Kardashian, Jayson Blair, and Steve Jobs. It also names 'exploitativeness' and “entitlement” as two of the narcissist’s calling cards.” —Slate“This thoroughly engrossing book contains a plethora of information…anyone interested in psychology will find it an invaluable resource.” —Library Journal (starred review)“Informative and engaging, Kluger’s account provides some effective tools for dealing with potential narcissists.” —Publishers Weekly

About the Author Jeffrey Kluger is a senior editor and writer at Time. He is a coauthor of the bestseller Apollo 13 and the author of The Sibling Effect, Simplexity, Splendid Solution, Moon Hunters, and two novels for young adults. Kluger lives in New York City with his wife and daughters.

Excerpt. © Reprinted by permission. All rights reserved. ***This excerpt is from an advance uncorrected proof***Copyright © 2014 Jeffrey Kluger

CHAPTER ONEThe Mighty I

It can’t be easy to wake up every day and discover that you’re still Donald Trump. You were Trump yesterday, you’re Trump today, and barring some extraordinary intervention, you’ll be Trump tomorrow.

There are, certainly, compensations to being Donald Trump. You’re fabulously wealthy; you have a lifetime pass to help yourself to younger and younger wives, even as you get older and older—a two-way Benjamin Button dynamic that is equal parts enviable and grotesque. You own homes in Manhattan; Palm Beach; upstate New York; Charlottesville, Virginia; and Rancho Palos Verdes, California; and you’re free to bunk down in the penthouse suite of any hotel, apartment building, or resort that flies the Trump flag, anywhere on the planet—and there are a lot of them.

But none of that changes the reality of waking up every morning, looking in the bathroom mirror, and seeing Donald Trump staring back at you. And no, it’s not the hair; that, after all, is a choice—one that may be hard for most people to understand, but a choice all the same, and there’s a certain go-to-hell confidence in continuing to make it. The problem with being Trump is the same thing that explains the enormous fame and success of Trump: a naked neediness, a certain shamelessness, an insatiable hunger to be the largest, loudest, most honkingly conspicuous presence in any room—the great, braying Trumpness of Trump—and that’s probably far less of a revel than it seems.

Contented people, well-grounded people, people at ease inside their skin, just don’t behave the way Trump does. They go easy on the superlatives—especially when they’re talking about their own accomplishments. Maybe what they’re building or selling really is the greatest, the grandest, the biggest, the most stupendous, but they let the product do the talking. If it can’t, maybe it ain’t so great. They use their own names sparingly, too—even when they’re businesspeople who have the opportunity to turn themselves from a person into a brand. There is no GatesWare software, no BezosBooks.com; it’s not Zuckerbook you log on to a dozen times a day, it’s Facebook. But the Trump name is everywhere in the Trump world—on his buildings, on his helicopters, on the side of every single plane in the fleet that was once known as the Eastern Air Shuttle until Trump bought it in1989 and renamed it the Trump Shuttle. It’s been on Trump Mortgage, Trump Financial, Trump Sales and Leasing, Trump Restaurants, Trump vodka, Trump chocolate, Donald Trump The Fragrance, Trump water, Trump home furnishings, Trump clothing, Trump Books, Trump Golf, Trump University and yes, Trump the Game.

There is presumption in the Trump persona, too—in his attempt to trademark “You’re fired,” after it became a catchphrase on The Apprentice, his top-rated reality show; in his offer to donate $5 million to a charity of President Obama’s choosing if Obama would release to him, Trump, his college transcripts. There is petulance—in his public feuds with Rosie O’Donnell (“A total loser”), Seth Meyers (“He’s a stutterer”), Robert De Niro (“We’re not dealing with Albert Einstein”) and Arianna Huffington, (“Unattractive both inside and out. I fully understand why her former husband left her for a man . . .”).

There is, too, an almost—almost—endearing cluelessness to the primal way he signals his pride in himself. He poses for pictures with his suit jacket flaring open, his hands on his hips, index and ring fingers pointing inevitably groinward—a great-ape fitness and genital display if ever there was one. After he bought the moribund Gulf+Western Building in New York City’s Columbus Circle, skinned it down, covered it in gold-colored glass, converted it into a luxury hotel and residence, and reinforced it with steel and concrete to make it less subject to swaying in the wind, Trump boasted to The New York Times that it was going to be “the stiffest building in the city.” If he was aware of his own psychic subtext, he gave no indication.

Donald Trump the person was not always Donald Trump the phenomenon. He began his career in his father’s company, building modestly priced rental properties in Brooklyn, Queens and Staten Island, which is to the New York real estate world what Waffle House is to the high-end restaurant industry. He made his move into Manhattan in 1971, and while his interests and appetites were clearly, gaudily upscale, he was, in his own vainglorious way, something of a man of the people. When the city couldn’t manage to get Wollman Rink in Central Park renovated on time, Trump offered to take the project over, got it done within months and gave the city change back from its original budget. Yes, the name Trump would forever appear in conspicuous all-caps on the retaining walls surrounding the rink, but a civic good guy deserves a little recognition, doesn’t he? He was married to the same woman for fifteen years, they had three children together, and if the first of them was named, no surprise, Donald, well, what of it? We had two George Bushes and two John Adamses, didn’t we? He was socially and politically moderate: pro-choice, troubled by the unregulated flow of money into political campaigns, a champion of universal health care. “Our goal should be clear,” he said. “Our people are our greatest asset.”

It is a matter of historical record that that Trump is no more, that a large, loud foghorn of a man has taken his place, a man whose business acumen is undeniable, but whose public persona has become, to many, unbearable. To call Donald Trump a narcissist is to state what seems clinically obvious. There is the egotism of narcissism, the grandiosity of narcissism, the social obtuseness of narcissism. He has his believers, yes. “Love him or hate him, Trump is a man who is certain about what he wants, and sets out to get it, no holds barred,” said one. “Women find his power almost as much of a turn-on as his money.” But it was Trump himself who spoke those admiring words, which makes them comical, sure, but troubling as well.

Trump may be an easy target, but he is also, in some ways, a sympathetic one. Narcissism isn’t easy, it isn’t fun, it isn’t something to be waved off as a personal shortcoming that hurts only the narcissists themselves, any more than you can look at the drunk or philanderer or compulsive gambler and not see the grief and ruin in his future. Trump is unlikely to suffer such a fate, but it awaits plenty of other narcissists—and increasingly, they seem to be everywhere.

Narcissists are corrupt public officials, and honest ones too; they are the criminals who fill the jail cells, and sometimes the police who put them there in the first place. They are in industry, in media, in finance, in show business. They are artists, designers, chefs, scholars. They are the people we work with and the people we work for; the people we love and the people we bed; the people we hire or marry or befriend, and soon want to fire or leave or unfriend. They are the people who love us—until they betray us.

The very word narcissist—once the stuff of Greek mythology and psychology texts—has entered the cultural argot as a shorthand descriptor for all manner of unpleasant characters, and we recognize each of them. It’s the windbag drinking buddy who can go on for an entire evening about himself and his work and his new car and new house, but whose eyes glaze over and whose mind wanders the moment you begin to talk about yourself. It’s the mirror-gazing friend who insists on modeling every stitch of clothing she owns for you but never seems to notice—or comment on—whether you’re wearing a new dress, a favorite business suit or a giant garbage bag. It’s the bombastic relative who sucks the air out of Thanksgiving dinner, holding forth on politics from the pumpkin soup through the pumpkin pie and tolerating neither interruption nor contradiction. It’s the lover who charms the pants off of you—literally—and never returns your calls after that.

Narcissists may be ubiquitous—paradoxically commonplace given how exceptional they think they are—showing up in every corner of our lives, but it’s the famous ones, the ones with the biggest stages and the biggest soapboxes, we notice before we notice the ones closest to us. That makes sense, partly because they warrant close scrutiny given the kind of impact—usually negative—they can have, partly because there’s a can’t-look-away quality to their train-wreck behavior. And we’ve had a lot to look at in the United States of late.

So we get Ted Cruz, the freshman senator from Texas, conducting a twenty-one-hour filibuster—perhaps democracy’s greatest “Look at me!” spectacle—in 2013 to oppose a health care law he couldn’t repeal, couldn’t defund and wouldn’t sit down quietly to try to amend and improve, because that would mean weeks and months of collaborative work in private rooms with no cameras rolling or headlines flashing, and where’s the fun in that? So we get Marlin Stutzman, a back-bench congressman who helped engineer the two-and-a-half-week federal shutdown that followed Cruz’s spectacle and who, when asked why he and the rest of his faction wouldn’t back down despite the cost to the nation, answered, “We’re not going to be disrespected. We have to get something out of this. And I don’t know what that even is.” Because when 800,000 federal employees aren’t allowed to go to work, when food inspections are being canceled, when the country is losing over $1.5 billion a day, what really counts is whether the politicians themselves are feeling the love.

So we get New Jersey governor Chris Christie, longtime political bullyboy, on whose watch the entire town of Fort Lee, New Jersey, suffered through four days of gridlock when most of its access to the George Washington Bridge was cut off, an act of professional payback after the town’s Democratic mayor declined to cross party lines and endorse Christie in a reelection bid he was certain to win by a landslide anyway. Christie’s marathon 109-minute press conference after the story broke was less mea culpa than personal lamentation, a catalogue of the ways he’d suffered as a result of the incident.

“I am a very sad person today,” he said. “That’s the emotion I feel. A person close to me betrayed me. . . . I probably will get angry at some point, but I got to tell you the truth, I’m sad.” Christie also shared that he hadn’t been sleeping well as a result of the scandal and that he felt “humiliated” and “blindsided” and found it “incredibly disappointing to have people let [him] down this way.” The Washington Post ran a word count on Christie’s first-person references in the course of his long, on-camera ramble and reported 692 uses of I; 217 repetitions of me, my or mine; and 186 uses of I’m or I’ve. Thousands and thousands of Fort Lee residents suffered, but the big story to Chris Christie was, apparently, Chris Christie—and that hurt him badly. “I had a donor say well ‘Who gives a shit about you?’ ” said one GOP finance official, according to Politico.com. “What about all the people who are stuck on the bridge?”

We have had, too, Miley Cyrus, who from childhood never had to look far for a camera or an audience, because she was practically born with them in front of her. Her twerking and grinding and stroking herself with a foam-rubber finger in a live TV performance left critics and fans slack-jawed. Most people concluded her performance was an effort to demonstrate to her fans that she had, you know, grown up and was, you know, no longer a child—a rite of passage as inevitable for her as for anyone else, but somehow newsworthy because it was happening to Miley. This played out in the same summer that Lady Gaga—she of the meat dress, which may or may not have had much fashion merit, but undeniably drew eyeballs—released a song called “Applause,” in which she repeats over and over the lyric “I live for the applause, applause, applause,” as frank an admission and as powerful an anthem of the age of narcissism as you could imagine.

There is Bernie Madoff as well, a man whose multi-decade Ponzi scheme made him exceedingly rich, but at the cost of $65 billion in other people’s wealth, stolen from a victim list that, in the government’s records, ran 165 pages long. Hedge funds and banks made up much of that inventory of the wronged—admittedly, nobody’s idea of sympathetic victims—but there were also pension funds and charities, as well as individuals like Jack Cutter of Longmont, Colorado, a seventy-nine-year-old oil industry worker who was living with his wife on $1 million in retirement savings, a nest egg that vanished in Madoff’s care, forcing Cutter to take a job stocking supermarket shelves. Madoff may not have known Cutter, but he did know there would be hundreds or thousands of other Cutters among his victims—indeed, his scheme depended on that fact—and every morning he could nonetheless get out of bed and say, “Yes, this is all right, these are good decisions.”

Narcissists are the vanity presidential candidates—the likes of Herman Cain and H. Ross Perot, people with more money and name recognition than governing skills, but who fancy themselves up to the task of being the most powerful person on earth because, well, how could they not be? It doesn’t even require wealth to go on that “Vote for me or at least pay attention to me” ride. Did anybody believe Ron Paul or Dennis Kucinich had any chance at all of ever taking the oath of office—did they even believe it themselves?—or was it just the naked craving to be on the presidential stage? In 2000, Ralph Nader ran quixotically for president on the Green Party ticket, winning 2.8 million votes nationwide—and 97,488 of them in Florida, the large majority of which surely came out of Al Gore’s hide. That Florida haul would have been more than enough to overcome the paper-thin 537 votes by which Gore lost the state to George W. Bush and, ultimately, the presidency. Yet when Nader was asked afterward if he felt like he had cost Gore the election, his answer was succinct: “I think that Al Gore cost me the election.”

Narcissists are athletes, too, and if anything, they’re worse than the politicians, since they don’t even have to affect humility, freeing them up to enjoy their posses and their bling and their SUVs, and to indulge in their magisterial habit of referring to themselves in the third person because, apparently, a mere pronoun is so unsatisfying when you have the opportunity to speak your own name aloud. “I wanted to do what was best for, you know, LeBron James, and what LeBron James was gonna do to make him happy,” said, well, LeBron James about his 2010 decision to leave the Cleveland Cavaliers for the Miami Heat—or, as he put it, “to take my talents to South Beach.”

“If they don’t sign me, sorry, but I must go. That’s what Carlos Zambrano thinks,” said, yes, pitcher Carlos Zambrano when he was in contract negotiations with the Chicago Cubs. “Rickey wants to play another year, and he thinks he wants to play for you,” said baseball Hall of Famer Rickey Henderson near the end of his career when he called to chat with the general manager of another team. And Rickey was job hunting at the time.

Few of us will ever rise to the self-adoring heights of LeBron or Madoff or Miley or Cruz, but we’re kidding ourselves if we don’t think we may have been bitten by the same narcissistic bug that infected them. It’s not merely the “Notice me” roar of the Facebook age—with 1 billion of us updating our status and uploading our photos of such who-cares minutiae as what we had for dinner, because, really, how could our friends not want to look at a glamour shot of the farfalle with peppers and shrimp we just made? It’s not just the 500 million of us on Twitter, trained in the urgent art of posting 140 characters of absolutely nothing. (“Just had a Krispy Kreme! Yum!”) It’s not merely Foursquare that lets us check in when we go somewhere—anywhere, really—so that we can report the late-breaking news that we just drove past Fenway Park or the Gateway Arch or our old elementary school. It’s not even the reductio ad absurdum site Threewords.me, which allows—indeed, invites—your friends to sign up so they can choose the three words that best describe you, and you in turn can describe them. That’s all there is to it—really. If the site accepts hyphens, how many uploads of “self-absorbed twit” do you think they’ll get?

Our narcissism has other expressions, too: the symbiotic exhibitionism and voyeurism of the reality show. Look at me while I, um, live in a house on the Jersey Shore, and maybe one day you can get a show and people will look at you living in a house too! Yes, there’s money to be made from being a reality star, but it’s a simple truth of commerce that the things a culture rewards are the things it values, and in twenty-first-century America, spending your life before the camera is a growth industry, with both consumers and providers willing to contribute to it.

Those cameras don’t even have to be wielded by TV producers. We can do it very well ourselves, thank you very much, giving rise to our culture-wide sexting habit, with videos and cell phone images forever getting shot and saved and shared, because what good is a vigorous sexual romp unless other people can watch it play out and what good is the pleasure you take in looking at your own hot bits if other people can’t look along with you. Preposterous ex-congressman Anthony Weiner may be the poster boy—or poster something—for sexting, but with 80 percent of college students saying that they sext and 20 percent of the rest of the population admitting they do, too, he’s got plenty of company.

It’s starting earlier and earlier, this pandemic of simultaneous showing off and mirror-gazing—in the everybody-gets-a-trophy ethos of the grade-school track meet, in the well-intentioned song preschoolers are taught to sing to the tune of “Frère Jacques”: “I am special, I am special, Look at me, Look at me.” Well, maybe you are, but as with the 1981 study that found that 82 percent of people believe they’re in the top 33 percent of drivers—a statistical impossibility—if everyone’s special, by definition no one is. Only in Lake Wobegon are all the children above average. Mister Rogers sold the same idea of pre-K exceptionalism decades ago, but with an important twist: “You are my friend, you are special, you are my friend, you’re special to me,” he sang. The specialness lay in the connection to Mister Rogers—and, by implication, to all the other friends the child was learning to make—not in some factory-loaded excellence that’s standard equipment in all of us.

Some of this is natural in kids. “If you go into a classroom and say,‘How many of you are good at math?’ ” observes Brad Bushman, a professor of psychology and communications at Ohio State University, “kids under eight will raise their hands even if they suck at math. The same is true of singing and other skills. Before age eight, people think they’re good at everything.” But what starts as a sort of naïve conceit is too often hothoused into full-blown grandiosity.

It’s hard to say when Americans finally, fully gave themselves over to the cult of love-me-ism—or at least openly acknowledged it—but December 2006 is often pointed to as a sort of benchmark. That was the month one of Time magazine’s most-talked-about Person of the Year issues was published. In all the decades Time has existed, it has accorded the honor to a host of history’s giants: Lindbergh, Gandhi, Eisenhower, Sadat, Gorbachev, Churchill (twice), Franklin Roosevelt (three times). Monsters have been chosen, too—Hitler, Stalin, Khomeini—abiding by the magazine’s self-imposed rule that the sole standard for selection be the person who most influenced world events in the previous year, for better or worse. Whole groups have gotten the honor: Hungarian freedom fighters in 1956, Baby Boomers in 1966, American women in 1975. In 1988, the Earth itself was named Planet of the Year as a nod to the perilous state of the environment; in 1982, the personal computer was named Machine of the Year—a choice that turned out to be prescient given that there wasn’t even a publicly available Internet yet.

In 2006, however, everyone got the track-meet ribbon. Time’s Person of the Year was, simply: You. “You. Yes, You,” the cover line read. “You control the information age. Welcome to your world.” The conceit of the story was that in an era of user-derived content, we were all now running the cultural show. “For seizing the reins of the global media,” Time wrote, “for founding and framing the new digital democracy, for working for nothing and beating the pros at their own game, TIME’s Person of the Year for 2006 is you.” To make sure that the congratulatory message got through, the cover included a piece of reflective Mylar—a hand mirror to match the self-adoration theme of the story.

As a longtime Time staffer—someone who looks at the red border the way Yankee players see their pinstripes—I wish I could say I questioned the choice, raised my hand and asked if that really, truly was the statement we wanted to make. But I didn’t. The fact is, I cautiously applauded the idea, thought it captured the zeitgeist in a fresh and interesting way—and I still think it did. The problem was, it also endorsed that zeitgeist, validated it, gave cover to people for whom the “I am special, Look at me” refrain was more than a song lyric. It was the animating idea of their lives.

In the years since, the tidal wave of first-person love has only climbed higher. Our careful curation of our Facebook pages has become something of a cultural art form, as we post only the prettiest pictures, the sunniest news, the funniest observations—grooming our image for a following that we convince ourselves gives a hoot. We have become artists of the selfie, the first-person photo taken with a smart-phone held at arm’s length—an immediately recognizable posture that may become the signature pose of our era. The Vine website allows us to post eleven-second video clips—the visual equivalent of Twitter— doing whatever we’ve convinced ourselves the world wants to watch us doing.

Amazon.com now lists nearly 70,000 book titles under the “Self-esteem” rubric—and that’s only in paperback. More than 3,700 such books are aimed at kids and more than 300 of those, incredibly, at the birth-to-age-two group—or precisely the stage of life in which kids need absolutely no help to believe they sit at the center of the universe. The titles achieve a certain redundancy after a while—I Like Me; The Best Part of Me; You Are Important; Happy to Be Me!; The Lovables in the Kingdom of Self—but they all sell the same ego-puffing product. Self-esteem is undeniably important, and plenty of people—especially kids—with rough lives or troubled psyches need a boost. But surely not 70,000 books’ worth of boost.

Calling all of this narcissism can be something of a stretch. Physical and emotional conditions tend to slip in and out of vogue, with a lot of sloppy diagnosing of ourselves and of others coming with it. We find it awfully easy to label a moody friend “bipolar,” notwithstanding the fact that only 2.6 percent of the world’s population actually suffers from the condition, according to the National Institute of Mental Health. Ditto obsessive-compulsive disorder, which everyone on the planet seems to think they have at some point or another—even reducing the label to an adjective (“I’m so OCD!”)—simply because they like to keep their desk neat. But if you’re not part of the 2 percent of all people who actually have a clinical, diagnosable case of the condition, you’re probably just tidy. As for hypoglycemia? Please. Unless you’re diabetic and have just injected yourself with insulin and skipped a meal, odds are you’re just tired, hungry and looking for an excuse for a snack. So eat a Snickers and pipe down.

It is much the same way with narcissism. The actual incidence of true narcissistic personality disorder (NPD) is just 1 percent in the general population, sneaking up to 3 percent in certain groups—such as people in their twenties who have yet to be humbled a bit by the challenges and setbacks of adult life. The numbers climb much higher among self-selected populations of people who have already entered psychotherapy for some emotional condition, ranging anywhere from 2 percent for the average therapy patient to 16 percent for institutionalized patients.

The behaviors that characterize the narcissistic personality are spelled out starkly by the Diagnostic and Statistical Manual (DSM), psychology’s universally relied-upon field guide to the mind, which defines the condition as, in effect, three conditions: a toxic mash-up of grandiosity, an unquenchable thirst for admiration and a near-total blindness to how other people see you. But those are only the broadest features. There is, too, a lack of empathy in the narcissist—an utter inability not only to understand what other people are feeling but how they may be responsible for those feelings, especially when they’re bad.

Narcissists are afflicted with a bottomless appetite as well—for recognition, attention, glory, rewards. And it’s a zero-sum thing. Every moment a narcissist spends listening to another party guest tell a story is a moment in which the stage has been surrendered. Most people welcome that give-and-take; it’s the social part of socializing, and listening can provide a welcome break from the performance demands of telling a story or otherwise holding court. In the karaoke cycle that is life, we all get our turns on the stage and our turns in the crowd. The narcissist withers in—and rages against—any dying of the light.

Entitlement is another part of the narcissistic profile—a sense that attention and rewards are not only expected but owing—accompanied by an always-ready rage when those goodies aren’t delivered. “Perhaps the worst expression of narcissism is that sense of entitlement,” says research psychologist Robin Edelstein of the University of Michigan. “It usually exists side by side with a terrible exploitativeness, a willingness to take advantage of other people, but a brittleness and defensiveness if they feel someone is taking advantage of them.”

Adds Brad Bushman of Ohio State University, “I’m an aggression researcher, and when it comes to narcissists, nothing sets aggression off so much as that sense of entitlement.”

Narcissism is not a stand-alone condition. It’s part of the suite of ten personality disorders, which also include paranoid, borderline, histrionic, antisocial, dependent, avoidant, rigid, schizoid and schizotypal personalities. (The last two, as their names suggest, include features of schizophrenia but are not the same as that full-blown condition, which is in a diagnostic class almost by itself.)

Personality disorders are among the most stubborn conditions psychologists treat, because they’re what is known as “egosyntonic”— which is shrink-talk for the idea that the patients buy into what their minds are telling them. You’re not paranoid, people really are after you; you’re not pathologically rigid, there really are certain ways all things must be done at all times; and you’re not narcissistic, you really are more talented, more important and just plain better than everybody else.

Anxiety conditions, such as phobias and OCD, are what’s known as “egodystonic.” The person with a morbid fear of spiders or snakes or elevators knows it’s nuts but can’t control it. The obsessive-compulsive who devotes three hours a day to hand-washing or checking to make sure the stove is turned off recognizes the madness of the behavior and would much rather be doing other things, but the psychic pull of the rituals is too great. When anxiety sufferers come into therapy, they deeply want to change. When people with a personality disorder at last enter treatment, it’s typically because family or friends push them there. Absent that kind of coercion, they really see no need to change. This is especially true of narcissists, who not only don’t think they need a doctor but are convinced they’re smarter than the doctor.

Not every case of narcissism is the clinical, capital-N kind. Like all personality disorders, it exists on a sort of continuum, with people with ordinary self-esteem at one end, the floridly narcissistic at the other and uncounted little gradations in between. A whole lot of people are now moving up that scale, developing cases of subclinical, or lowercase-n, narcissism that may not shut down governments but may cause plenty of personal harm to the people around them.

In 2008, a team of researchers published a study in the Journal of Personality looking at narcissism among college students over a twenty-seven-year period, from 1979 to 2006. Their paper was what’s known as a meta-analysis, a recrunching of the data from eighty-five separate narcissism studies covering a collective 16,475 subjects. All of the people surveyed had been administered the Narcissistic Personality Inventory (NPI), a forty-item questionnaire that requires subjects to choose between such essentially opposite statements as “I insist upon getting the respect that is due me” and “I usually get the respect that I deserve”; “Sometimes I tell good stories” and “Everybody likes to hear my stories”; “I can read people like a book” and “People are sometimes hard to understand”; “I am more capable than other people” and “There is a lot I can learn from other people.” (See page 259.) In some cases, both statements can be true—you may in fact be more capable than other people and still have things to learn from them—but the “forced choice” nature of the questions is designed to make people own up to the traits that best describe them, even if that’s not all there is to them.

The average person scores slightly below 16 on the NPI. Move above 20 and you’re flirting with narcissism. Broadly, people diagnosed with narcissism can be divided into three groups: the power group, the special-person group and the grandiose-exhibitionist group, depending on the mix of descriptions they choose for themselves—but all of them are still narcissists. Since 1979, the 2008 study found, there has been a 30 percent increase in overall NPI scores in the sample population, with more than two-thirds of contemporary college students scoring higher than what the mean score was from 1979 through 1985. “The exact same test has been given every year,” says Bushman, who was one of the coauthors of the study, “and the narcissism rates are increasing over time.”

Like all psychological surveys, the NPI will never be as empirically accurate as, say, a blood test or a cholesterol count. But when tools like this stick around as long as this one has, and when they’re used as widely as this one is, they’ve usually proven their powerful if imperfect merit. What’s more, even before people take the test, both experts and non-experts can often predict who will score high, based on their telltale behavior.

Narcissists thrive when there’s an opportunity for glory but are uninterested in the collaborative work that leads to greater good for a larger group; they bristle and bitch when their talents are challenged, but never consider the possibility that those talents may be less than they believe them to be or that there is at least room for improvement. For narcissists, setbacks are not opportunities to learn; they’re problems caused by somebody else who got in their way or sabotaged their plans.

“Narcissists tend to blame others, rather than to own it,” says Nathanael Fast, professor of management and organizational behavior at the University of Southern California. “There’s a fragility to the narcissistic personality, a pressure to be superior and the implicit need to prove how great they are.”

It’s that pressure, that panic, that drives narcissists to cut corners and break rules—the plagiarist or the academic cheater whose shame at acting unethically or fear of being caught is no match for the thrill of the unearned A+ or the fraudulent byline. “Narcissistic students have higher levels of academic misconduct and we think that’s because they don’t feel guilt,” says psychologist Amy Brunell of Ohio State University at Newark, who has studied narcissism and academic dishonesty. “We asked them about their impressions of other students and they felt that other people were cheating more than they actually were. But people who merely have high self-esteem as opposed to narcissism don’t cheat as much.”

That kind of behavior takes its toll on everyone. By the time the cheater has aced the course and moved on, she’s thrown off the curve for the rest of the class and perhaps won the internship or postgrad job that honest students were gunning for, too. By the time the woman who falls in love with a narcissist realizes he will never adore her nearly as much as he adores himself, she may already have given up her apartment, moved into his and never suspected that he’s cheating with the new account executive in his office whom he insists he doesn’t find the slightest bit pretty. By the time the human resources department realizes that the VP it hired to manage an office of two hundred people is a raging narcissist, he’s probably browbeaten dozens of employees, filched credit for work they’ve done, and led the firm to a quarterly loss because, never mind what all the trained analysts told him about why he shouldn’t invest in new product development till next year, he reckoned his judgment was better and smarter and bolder than theirs.

There can, surely, be profound good that comes from narcissists—or at least from their works. However wise and humble and spiritual Mohandas Gandhi and Martin Luther King, Jr., were, they surely got a charge out of rousing hundreds of thousands, even millions, of people with the sound of their voice and the power of their ideas. Had they been more timid men, less inclined toward—or delighted by— the power that comes from leadership, they might never have stepped up to lead at all. Jonas Salk and Albert Sabin saved the world from polio with their competing and very different vaccines. But it was the race to be first—to be the man who would be celebrated for beating the disease—that helped impel their work. Dwight Eisenhower led the Allies to victory during World War II, and for that he was rightly celebrated. But if you don’t think he quietly enjoyed wearing an explosively beribboned uniform and a title like Supreme Allied Commander, you don’t know much about human nature. It is the same confidence—sometimes arrogance—that has allowed inventors and industrialists like Steve Jobs, Bill Gates and Elon Musk to press on in improbable ventures against extraordinary odds and create things that improve the world in big and meaningful ways, even if they make few friends doing it.

Still, the heroic narcissist, the ingenious narcissist, the courageous narcissist are not the most common breeds. It’s the everyday, self-obsessed, pay-attention-to-me narcissist who is. Almost anywhere you look in your world, you have an ever bigger chance of finding one of them: in your office, in your social circle, in your arms—in yourself. If you don’t know how to recognize them in time—to avoid them if you can or to manage them if you’re already entangled—the price can be high. And it can be higher still if the narcissist is you.

For too many people, the very idea of love—that greatest and most other-directed of human impulses—is folding in on itself, with admiration turning to exhibitionism, charity to greed, altruism to appetite. We are more and more living in a mirror world—with the most prominent sight being the reflected one. And too many of us like that view just fine.


The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

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Most helpful customer reviews

94 of 103 people found the following review helpful. I would have liked some clinical observations on the effects of narcissists on ... By oldcat I expected (was hoping for) a clear, expository, and thorough book for laypeople about narcissism. I thought it would cover what narcissism is, how it's currently defined and how that definition may have changed in the last decade or so. I would have liked some clinical observations on the effects of narcissists on their families, their siblings, their children especially, and how to deal with them. Instead, this book dwells for half its length on famous narcissisists in public life, "Look, there's another one! And here's another one! And aren't they ADORABLE! How entertaining these entertainers are!" The writer illustrates very clearly just how the narcissist has been received, usually since infancy. He's a fanboy.There is very little in this book on the destructive, vicious behaviors that comprise the actions of the narcissist thwarted. That's the part we need help with - not identifying how cute they are.

73 of 88 people found the following review helpful. Totally unhelpful By William W. Quick I was hoping for something reasonable, but only found a totally unhelpful series of vignettes, most of which are about public personalities, a scattering of uncritical and highly selected reviews of various psychologic studies, and strong opinions and attempts at humor that usually backfired. Sadly, there's no real science here, and no help for the reader who's coping with a narcissist except to quit your job if the boss is a narcissist.Don't waste your money on this drivel.

46 of 55 people found the following review helpful. Insightful, entertaining look into narcissism (albeit a little light on advice on how to handle narcissists) By Woody The term “narcissist” is thrown about a lot in our society, and in my personal life. However, I was clueless about what makes a narcissist a narcissist, and, suspecting that I had dealt with my fair share of some in my life, I wanted to learn more about them. After casually googling about narcissists last week, I came across an article about this book, and anxiously awaited its release. I read it today in one sitting and enjoyed it thoroughly.First, Kluger provides his cultural theory for why narcissism is more prevalent today than ever: our culture of excessive praise (the “self esteem movement”/a.k.a. “everyone deserves a medal” generation that began in the 1980s) combined with the end of unsupervised play (children were no longer able to work out the spoken and unspoken social “rules of the game”).Although narcissistic tendencies occur without fail in babies and toddlers, Kluger explains, these tendencies should disappear in normal adults. When these narcissistic tendencies don’t disappear, however, Kluger offers various examples of how narcissism plays out: in the office with coworkers; with your boss; in romantic relationships; in the political arena; in the “us versus them” tribal mentality; and finally, with violent offenders and celebrities.Throughout each of these categories, there’s no shortage of lively examples—in fact, I found this to be one of the best aspects of the book. Kluger offers tons of great examples of celebrities or historical figures and their narcissistic actions. He does this while often unobtrusively explaining who the figure is or what happened if it’s not an immediately recognizable person or event. Kluger also gives great generic examples. For instance, he says of how to recognize one type of a narcissistic boss: his eyes scan the room after he has made a joke or an argumentative point; the narcissist is so insecure that he has to scan from person to person, eyeball to eyeball, because a direct gaze shows dominance.I do wish the book had more tips for dealing the narcissists. The chapter on dealing with a narcissist employee (“the schmuck in the next cubicle”) gives a couple of good techniques for dealing with the narcissist employee, such as praising his talents and shuffling him around to different teams. The chapter on dealing with a narcissist boss (“the bastard in the corner office”) says that sabotaging the narcissist boss probably won’t end well for you, the employee, so the best bet is “simply quitting. Slamming your resignation letter on the boss’s desk and striding out to take a better job elsewhere . . . .” I agree with this sentiment, but I would have loved advice on how to deal with the narcissist boss in the months when you are looking for a job, or in that awkward time when have given notice but haven’t yet left the job (or even when you want to stick it out just a little bit longer—after all, some employees seems to strike the balance of praise, but not too much praise, that narcissist bosses eat right up).Overall, after having read this book, I feel much more able to spot narcissists now, which is a lot of what I wanted from this book. However, like I said, I also wanted a bit more on how to coexist with narcissists when I’m forced to coexist with them. Other than that, I think this is a great book about narcissism. Because this is the first book I’ve read on the topic, I can’t say whether this is “understanding narcissism light” or for more experienced studiers of narcissism. In any case, because it offers an interesting perspective on cultural theories and offers such rich examples, I would think many a reader would enjoy it—even those who are well-versed in Narcissistic Personality Disorder.

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The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger
The Narcissist Next Door: Understanding the Monster in Your Family, in Your Office, in Your Bed-in Your World, by Jeffrey Kluger

Jumat, 06 Februari 2015

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Kamis, 05 Februari 2015

Tallboy Walkin': A Play, by Joshua James

Tallboy Walkin': A Play, by Joshua James

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Tallboy Walkin': A Play, by Joshua James

Tallboy Walkin': A Play, by Joshua James



Tallboy Walkin': A Play, by Joshua James

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Five different men, of different ages and ethnic backgrounds, find themselves stranded at a bus stop late at night in a dangerous urban city. A confrontation between two men of color holds the other three as their unwilling captive audience, trapped by circumstances, a late bus and the presence of a loaded firearm. A high-wire meditation on race, religion and the comedy of life, Tallboy Walkin’ asks the question all of us at some point have to answer in our lives. ROYALTY-FREE for amateur and educational production!

Tallboy Walkin': A Play, by Joshua James

  • Amazon Sales Rank: #9024734 in Books
  • Published on: 2015-05-27
  • Original language: English
  • Dimensions: 8.00" h x .26" w x 5.00" l,
  • Binding: Paperback
  • 112 pages
Tallboy Walkin': A Play, by Joshua James


Tallboy Walkin': A Play, by Joshua James

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1 of 1 people found the following review helpful. You can't take your eyes off the stage By David Drayer I have been a fan of Joshua James’ plays for years—raw, intense, humorous and real—but if I had to pick a favorite, this would be it. The characters are dead on. You can’t look away.

1 of 1 people found the following review helpful. Incredibly well written play with great parts that actors can really sink their teeth into ... By Louis Carbonneau Incredibly well written play with great parts that actors can really sink their teeth into - & very cheap to produce!

1 of 1 people found the following review helpful. Thought-Provoking! By Marci This is a very thought-provoking play that challenges racial stereotypes -- powerful, funny and pretty fearless!

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Tallboy Walkin': A Play, by Joshua James

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Selasa, 03 Februari 2015

The Justice Academy: What You Should Know, by B L Brown

The Justice Academy: What You Should Know, by B L Brown

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The Justice Academy: What You Should Know, by B L Brown



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The Justice Academy is a straight forward easy to understand guide for the average citizen. It is an open window to the American Justice System from a law enforcement officers perspective. It provides insight and secrets to interacting with the police in a number of situations.

The Justice Academy: What You Should Know, by B L Brown

  • Amazon Sales Rank: #4637596 in Books
  • Published on: 2015-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .29" w x 6.00" l, .40 pounds
  • Binding: Paperback
  • 128 pages
The Justice Academy: What You Should Know, by B L Brown


The Justice Academy: What You Should Know, by B L Brown

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1 of 1 people found the following review helpful. This book is easy to read & provides VALUABLE INFO on how to interact with law enforcement in common, everyday life situations. By Stinger V The Justice Academy provides insight into the processes of law enforcement agencies and how citizens should navigate this highly political environment in order to protect themselves and their rights. This book is a must read for all teens, law abiding adults or those with a criminal past, as well as law enforcement and security professionals.

0 of 0 people found the following review helpful. Must read By kim Davis I'm a law enforcement officer. I can say that this book gives excellent insight into my job that can be easily understood by any citizen.

0 of 0 people found the following review helpful. Five Stars By B Davis Awesome book filled with so much insight...a must to add to your library!

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